not related to the exact issue here, but i have definate opinions on why a "creative" class isnt that turned on by Saint Louis.
The first problem is negativity of the natives. There is some sort of inbuilt mechanism that most creative natives of Saint Louis have that makes them loathe the ground that built their very atoms.
I think alot of that was that a few famous beat artists such as Burroughs and Henry Miller (not that he was a beat artist but you get my drift) had nothing but venom for STL because at the time they experienced the city it was the prime example of segregation and spite under the guise of positivity. I don't think we have shaken that image well even though in my opinion the black and white cultural differences are bridged here quite a bit more than they are in other cities I have lived in and/or visited.
In other words, the artist and writers that a lot of creative people look up to, the icons, were really dismal on stl, and probably rightfully so, but we haven't really broadcasted that this issue has changed here either.
The first problem is negativity of the natives. There is some sort of inbuilt mechanism that most creative natives of Saint Louis have that makes them loathe the ground that built their very atoms.
I think alot of that was that a few famous beat artists such as Burroughs and Henry Miller (not that he was a beat artist but you get my drift) had nothing but venom for STL because at the time they experienced the city it was the prime example of segregation and spite under the guise of positivity. I don't think we have shaken that image well even though in my opinion the black and white cultural differences are bridged here quite a bit more than they are in other cities I have lived in and/or visited.
In other words, the artist and writers that a lot of creative people look up to, the icons, were really dismal on stl, and probably rightfully so, but we haven't really broadcasted that this issue has changed here either.





